Contents
Abstract
Copyright
List of works submitted
Introduction
1 - Consideration of Space in the presentation of EDM
1.1 - Why use large multichannel spatialisation techniques?
1.2 - Why spatial music?
1.3 - Temples for sound spatialisation
1.3.1 - 4DSOUND System
1.3.2 - Dolby Atmos
1.3.3 - SARC - The Sonic Laboratory
1.3.4 - Sound Field Synthesis Methods
1.3.5 - SPIRAL Studio
1.4. - Composition and spatialisation tools
1.4.1 - How do software and hardware tools affect my workflow
1.5 - Spatialisation and EDM: My setup
1.6 - Studio - Binaural Mix
2 - Composition As Performance
2.1 - Music Styles - Techno-House-Trance
2.2 - Composition Overview
2.3 - Compositional Flow
2.4 - Structure: process and intuition
2.5 - Improvisation
2.6 - Conclusion: outlets and dissemination
3 - Performance As Composition
3.1 - A Case Study: GusGus’ performance setup
3.2 - Rethinking Composition as Performance
3.3 - Why 123-128bpm?
3.4 - Physical response
3.5 - Live performance and Musical Flow
3.6 - Methodology for the emerging artists
3.7 - Experimentation with Live Spatialisation
Conclusion
bibliography
Discography
Appendix I
Websites
